The parallel output bus sends the microphone channels to individual DAW tracks for finer mixing sessions. Full mixing control is available, with individual Volume, Pan, Reverb Send, and EQ adjustments for each channel. The samples were recorded with three stereo microphone positions - Direct, Overhead, and Room - plus a Stereo Mix. All library samples were recorded in 24-bit / 96 kHz high definition to faithfully capture the entirety of the koto’s delicate expressions. ![]() The recordings were made with the utmost care, using more than eight microphones of various types together with colorless mic preamps. You can control the pitch and tempo of each phrase bank as well. Phrase banks are selectable with key switches and can be triggered from a MIDI keyboard. The three KOTO 17 phrase banks contain special techniques that are difficult to reproduce, ranging from classic koto techniques such as glissandos and surizume to sound effects made by striking the bridges. All articulations can be controlled independently with key switches. These include different nuances created by playing with the thumb, index, or middle finger as well as glissandos, tremolo picking, and even chirashizume pick scrapes. KOTO 17 contains 20 different articulations to recreate the koto’s diverse range of musical expressions. This lets the performer access the instrument in the most realistic way possible.Ģ0 articulations to recreate every aspect of the 17-string koto’s playing styles KOTO 17 has a Scale Performance mode to map the tones of each string to 17 adjacent white keys. The koto is played by adjusting the tuning of the 17 strings for each musical piece to be performed. String editor enables independent tuning adjustments for all 17 strings.
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